Exceptions of note

I was thrilled to see the review of Jimmy Bosch’s latest album, “El Avion de la Salsa” (“Proving He’s Still Got That Swing,” Nov. 28).

While I agree with Agustin Gurza’s assessment of Bosch’s impressive level of musicianship, I take exception with the reviewer’s admonition to “forget the lyrics,” for the hard, aggressive salsa swing is fueled just as much by the lyrics as by Bosch’s off-the-charts trombone playing. Bosch’s lyrics are a refreshing social commentary on life and love and everything ordinary and extraordinary in between.

Kathy Bonalos

Los Angeles

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I was appalled after I read Agustin Gurza’s critique of Luis Miguel’s new work, “Mexico en la Piel” (“Miguel Makes a Ranchera Misstep,” Nov. 28).

Obviously, Mr. Gurza is unaware of this jewel that “Mexico en La Piel” represents for Mexicans who know their roots and their culture. He must not be familiar with fine mariachi music, such as what Mariachi Vargas de Tecalitlan usually plays, using authentic Mexican instruments such as the viola and marimba. In “Mexico en la Piel” the spirit is in every song, in every note. Mr. Gurza wrote this article in bad faith and he is the one who lacks a transparent soul, spirit and quality as a Latin music critic.

Aida Cortes

Dallas