Reel Critics
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“Changing Lanes” offers a detour down the road not taken for two men,
trapped in their own lives. When chance and careless driving cause the
two lives to collide, each man is ultimately altered through events
perpetuated by vengeance, blame and loathing.
Director Roger Michell, assisted by a sharp screenplay written by Chap
Taylor, Anthony Picharillo and Michael Tolkin, presents a human drama
that seems realistic and farcical at the same time. The emotional mind
wishes to deny that men would allow a situation to escalate in the manner
displayed in this film, while the logical mind realizes in today’s times,
the complete possibility of overboard revenge via postponed road rage.
We, the audience, are allowed to see the vengeful acts, their effects and
the character’s realizations afterward of having gone too far.
Ben Affleck and Samuel L. Jackson turn in sharp performances as men
pushed past their limits. In fact I would venture to say it is Affleck’s
best work yet, and a nice departure for Jackson as his emotions are
played more internally in this piece than many of the characters we
normally associate with him. Jennie Dundas Lowe, Ileen Getz, Kim
Staunton, Toni Collette, Amanda Peet, Sydney Pollack, Bradley Cooper and
a seldom seen William Hurt, round out the cast.
This film fails only in that the viewer may question these men’s
threshold for tragedy and whether all other avenues for repairing the
damage to their lives prior to their desperate acts, were considered.
On the technical side, the film is stunning in its restrained action
and poignant dramatic sequences. However, three quarters of the way
through the film, Affleck’s character is involved in a high-speed car
accident. Either poor editing, directing or writing is to blame in that
no mention or visual acknowledgment is made of the other victims to this
accident, and with the exception of a few scratches to his face,
immediately following the trauma, Affleck exhibits no injuries or pains
due to the crash.
The film succeeds in presenting characters that are not villains or
heroes, just people with various flaws and strengths. The tone of the
film is so somber that toward the end, a fairly mundane but perfectly
timed line like “I think I’ll have the red snapper” gets a belly laugh,
as comic relief is in short supply.
“Changing Lanes” is an intriguing journey as it forces us to ponder
our own temperaments and our ability to accept responsibility even for
circumstances beyond our control.
* RAY BUFFER, 32, is a professional singer, actor and voice-over
artist.
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